Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

Monday, January 19, 2009

Zdzislaw Beksinski









Zdzislaw Beksinski (1929-2005) was a self trained Polish painter. His works are surreal, apocalyptic, yet are serene. I am really inspired by his combination of organic shapes and textures and architecture. A self proclaimed "Gothic" painter, his work compares to Friedrich in the awesomeness and loneliness of nature.His color palette is autumnal, jewel like, and gorgeous.


Zdzislaw Beksinski

Sunday, December 21, 2008

William Blake









I just read on the BBC that there will be an exhibit of William Blake's work in London.

Wednesday, December 17, 2008

Maija Fiebig

A really terrific artist...I'll keep looking for some photos to post!

Harnessing a spectrum of rich color and filter-through depth, systematic repetition of single forms lay the foundation for her creations as images and patterns are successfully married in luscious, three-dimensional depth.
"My idea was to morph and alter patterns from their original state into something new while using the original pattern as ground to work from" explains Fiebig. The artist also utilizes a vision she had three years ago "to create work that resembles an exquisitely beaded gown encapsulated under layers of ice".
To create this effect, deconstructed garments and altered textiles are submerged into a thick resin, which is carefully smoothed and dried. Paint is then added to the newly formed aquatic-like surface, forming images that compliment the existing patterns in shape and form. The result is a myriad of accomplished works unique to Fiebig.
Maija Fiebig's traditional arsenal of creative ingredients seems almost endless. Oils, canvas, wood, fabric, glue, sugar, resins, office labels, even cake crystals come together rendering radiant tones and textures. In current endeavors however, the Seattle resident finds herself moving in new directions relying on canvas and paint almost exclusively while achieving the same depth as her works of the last three years.
In the time spent since earning her B.A from Western Washington University in Bellingham, Fiebig has been busy. Her enviable resume reveals nine exhibitions at challenging galleries in Seattle, Bellingham and Portland. In addition, her work has been featured on the cover of the Portland Mercury (July 2003) and within the pages of the Seattle Weekly and Tablet Newspaper.



http://www.maijafiebig.com/

Sunday, October 19, 2008

Ron Issacs










I found this artist in an ad in Art in America October 2008. His show Trompe L'Oeil Painted Constructions is on display at the Robert Kidd Gallery. According to thier website these are acrylic paint on birch wood constructions.

http://robertkiddgallery.com

Saturday, September 6, 2008

Pomegranates, Starlings, and Japanese Beetles









Popillia japonica (Japanese Beetle or Jitterbug)

Sturnus vulgaris (European Starling or Poor Man's Myna)

The name "pomegranate" derives from Latin pomum ("apple") and granatus ("seeded"). - Wikipedia Accessed 9/06/08
Reference for a new piece...

Sunday, August 24, 2008

Mark Ryden









I really enjoy Mark Ryden's color palette. The color is very neutral, but not muddy.
I was hoping to see one of his paintings in person at the Roq La Rue 10th Anniversary show, but unfortunately only a small drawing of his was included. I also just learned that he had a solo exhibit at the Frye in 2003 or 2004 - I imagine it was incredible!


http://www.markryden.com

Friday, August 15, 2008

Jeffrey Ripple








From the gallery representing Jeffrey Ripple:

Jeffrey Ripple (b. 1962–) paints exquisitely beautiful and complex still life and landscape compositions that deftly capture the evanescent beauty of nature. Ripple's compositions, usually in oil on paper, sometimes on canvas, range from ambitious orchestrations of quotidian elements, such as flowers, fruit, and glass bottles, to spare, solitary plants or objects.

The artist often sets his elements against a golden-green-colored background with no specific plane or boundary to limit the image. This textured negative space, reminiscent not only of the influences of Chinese and Japanese art but also of the gold leaf backgrounds of medieval and early Renaissance religious painting, imbues the work with spiritual overtones.

Playing mass against void, and light against shadow, Ripple stages his dramatic 'portraits' for maximum impact while retaining the essence of his subjects. This construct, says critic Nancy Grimes, generates the aura of intimacy and religious space present in Ripple's painting.1 In this way, Ripple's paintings, with their meticulously rendered and placed forms; intense palette and edge (made possible by the paper ground); unusual perspectives (the objects are often seen from above); and concentrated realism transcend traditional botanical illustration and move into the realm of the divine.


http://www.hackettfreedman.com